Movie Cover Art War for the Planet of the Apes
War for the Planet of the Apes | |
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Directed by | Matt Reeves |
Written by |
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Based on |
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Produced by |
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Starring |
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Cinematography | Michael Seresin |
Edited by |
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Music by | Michael Giacchino |
Production |
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Distributed by | 20th Century Trick |
Release dates |
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Running time | 140 minutes[ii] |
Land | United states of america |
Language | English |
Budget | $150 million[three] |
Box office | $490.seven million[iv] |
War for the Planet of the Apes is a 2017 American science fiction action picture[5] directed past Matt Reeves from a screenplay by Reeves and Mark Bomback, and produced by Peter Chernin, Dylan Clark, Rick Jaffa and Amanda Silvery. Information technology is the sequel to Rise of the Planet of the Apes (2011) and Dawn of the Planet of the Apes (2014), and the third installment in the Planet of the Apes reboot franchise.[6] Information technology stars Andy Serkis as Caesar, alongside Woody Harrelson and Steve Zahn. In the film, conflict between apes and humans has escalated into total war, and Caesar sets out to avenge those he has lost.
Development for War for the Planet of the Apes began in Jan 2014, after 20th Century Fox viewed Reeves' cut of its predecessor; his return was presently confirmed, along with Bomback'south. A provisional 2016 release engagement was appear in May 2015, which led to a closer and faster pre-production human relationship between author and director. The moving picture shares similarities to Battle for the Planet of the Apes (1973), with accent on the impact of psychosocial development and interaction of apes and humans. Casting began in Baronial 2015 and finished that October, with principal photography commencing soon thereafter and terminal in March 2016, with filming locations including Lower Mainland and the Kananaskis Range.
War for the Planet of the Apes premiered on 10 July 2017 at the SVA Theatre in New York City, and was theatrically released worldwide by 20th Century Flim-flam on 14 July.[seven] The film received critical acclaim, with praise for Reeves' management, Serkis' performance, visual effects, themes, emotional weight, Michael Giacchino's score, and Michael Seresin's cinematography. War for the Planet of the Apes was a commercial success, grossing $490 meg, and received numerous awards and nominations, including nominations for Best Visual Effects and Best Special Visual Furnishings at the 90th Academy Awards and 71st British Academy Film Awards, respectively.[8] [nine] A sequel is currently in development.
Plot [edit]
In 2028 A.D, two years after Koba and the apes attacked survivors in San Francisco,[N 1] Caesar and his tribe of intelligent apes have been forced to resist against a Special Forces faction known as Alpha-Omega led by a ruthless colonel. Alpha-Omega employs apes that were loyal to Koba, derogatorily called "donkeys".
An Alpha-Omega platoon attacks an ape outpost, but it fails and some soldiers, including Preacher and a "donkey" named Red, are captured. Caesar releases the humans, hoping to testify the colonel that the apes are non savages; Red escapes by injuring the albino gorilla named Winter.
Caesar'south eldest son Blueish Eyes and friend Rocket render from a long journey. Blue Eyes reports that they constitute a place that is ideal for the apes. At night, the colonel leads a team in infiltrating the apes' home, killing Caesar's wife Cornelia and Blueish Eyes after mistaking him for Caesar. The apes are unable to find Winter, who they believe betrayed them to the colonel and had purposefully allow Crimson become.
As the tribe gathers to journey to safety, Caesar leaves his youngest son, Cornelius, in the care of Blue Eyes' wife and departs to serve every bit a decoy for the others. Accompanied by chimpanzee Rocket, orangutan Maurice and gorilla Luca, they enter a desolate village, where they find a soldier. After Caesar kills him in cocky-defense, they detect the soldier'due south girl, a mute girl whom Maurice befriends, giving her a rag doll.
They detect Winter, at present a "donkey" at an Blastoff-Omega camp. Wintertime informs that the Colonel has left and attempts to call out for help, just the other apes restrain Winter and Caesar accidentally suffocates him. While following the Alpha-Omega force, the apes discover soldiers shot and left for dead. Their examination of a dying soldier reveals that he is mute like the daughter.
Caesar's group chases a hooded figure who stole one of their horses and are surprised to find that he is some other intelligent chimpanzee named Bad Ape; Caesar and Maurice speculate as to whether Bad Ape'southward existence could mean that in that location are other apes like them elsewhere in the world. Bad Ape knows where Alpha-Omega is stationed. The location proves to be a quarantine facility with an armory in the mountains. Attempting to go a closer look, Luca is killed and Caesar is captured. Caesar learns that Alpha-Omega captured his unabridged tribe and are forcing them to build a defensive wall. The colonel forces him to work with the other apes, just Caesar inspires them to finish working.
Caesar deduces that the Colonel is barricading the facility to fend off the remaining U.s. ground forces, who are against him for going rogue. The Colonel explains that the Simian Flu has mutated and the homo carriers subsequently become mute and devolve, and he had elected to kill all carriers before they could infect other humans, including his own son. He has Caesar tortured with starvation to force the other apes to work. The mute daughter, named Nova by Maurice, sneaks into the facility to give Caesar food, water and her doll. To divert attention from Nova, Rocket allows himself to exist captured by Blood-red. The next twenty-four hours, the Colonel discovers and confiscates the doll.
Caesar and Rocket successfully gratis the apes to an underground tunnel leading out of the facility. Caesar remains behind to confront the Colonel, only the facility is attacked by the army. Finding the Colonel infected by the virus from contact with Nova's doll, Caesar watches him commit suicide.
The escaping apes are caught in the crossfire. Caesar attempts to blow up a large fuel tank to take out the Alpha-Omega forces from behind, only he is shot by Preacher. Cherry has a change of middle, killing Preacher but is immediately killed by some other soldier. Caesar blows upwardly the tank, inadvertently triggering an barrage that kills Alpha-Omega and the army. The apes, carrying Nova, survive by climbing nearby copse.
The apes cross a desert and reach the reported oasis. While the others gloat, Maurice discovers Caesar'southward fatal wound. He promises to tell Cornelius who his father was and what he did for the apes, moments before Caesar dies.
Cast [edit]
- Andy Serkis as Caesar, a chimpanzee who is leader to a tribe of enhanced apes.[11]
- Woody Harrelson as The Colonel, the leader of the paramilitary organization the Alpha-Omega, who is obsessed with wiping out Caesar and his tribe to preserve humans as the ascendant species on Earth.[12] [xiii]
- Steve Zahn as Bad Ape.[14] [15]
- Toby Kebbell as Koba, a treacherous bonobo.
- Gabriel Chavarria as Preacher, a crossbowman soldier working under the Colonel in the Alpha-Omega.[sixteen]
- Judy Greer every bit Cornelia.[11]
- Karin Konoval equally Maurice, a Bornean orangutan and Caesar'south loyal adviser and friend.[11]
- Terry Notary as Rocket, Caesar's loyal lieutenant.[17]
- Michael Adamthwaite as Luca, a western lowland gorilla in Caesar's tribe.
- Ty Olsson as Cherry-red.
- Devyn Dalton as Cornelius.
- Sara Canning as Lake, Blueish Eyes' wife.[eighteen]
- Aleks Paunovic every bit Winter.[19]
- Amiah Miller as Nova, a mute orphan girl whom Maurice befriends and cares for.[xx] [21]
- Max Lloyd-Jones every bit Blue Eyes.
- Roger Cross as Rod Wilson, the male helm from the Blastoff-Omega platoon.
- Mercedes De La Zerda every bit Lang, the female Alpha-Omega soldier.
Production [edit]
Evolution [edit]
After seeing his cut of Dawn, 20th Century Play a joke on and Chernin Entertainment signed Matt Reeves to render as director for a 3rd installment of the reboot serial. In January 2014, the studio announced the third film, with Reeves returning to direct and co-write along with Bomback, and Peter Chernin, Rick Jaffa and Amanda Silvery serving every bit producers.[22] [23] During an interview in mid-Nov 2014 with MTV, Andy Serkis said they did non know the adjacent film's setting. "...Information technology could be v years after the event. Information technology could be the night later on the events of where nosotros left Dawn."[24] In May 2015, the title was first given as War of the Planet of the Apes.[25] Past October 2015, it had been retitled as War for the Planet of the Apes.[14]
When director Reeves and screenwriter Bomback came on lath to helm Dawn, the moving-picture show already had a release appointment, which led to an accelerated product schedule. Yet, with the 3rd installment, Fox wanted to give the duo plenty of time to write and make the film. Taking advantage of this, the two bonded with each other more than earlier.[26]
In interviews for Dawn, Reeves talked about the inevitable war Caesar would accept with the humans: "Equally this story continues, we know that state of war is non avoided past the end of Dawn. That is going to take united states into the earth of what he is grappling with. Where he is going to be thrust into circumstances that he never, always wanted to deal with, and was hoping he could avoid. And now he is right in the middle of it. The things that happen in that story test him in huge ways, in the means in which his relationship with Koba haunts him deeply. Information technology's going to exist an epic story. I remember you've probably read that I sort of described it where in the first film was very much virtually his rise from humble ancestry to being a revolutionary. The second movie was about having to rise to the claiming of being a great leader in the most difficult of times. This is going to be the story that is going to cement his condition as a seminal figure in ape history, and sort of leads to an almost biblical status. He is going to go like a mythic ape figure, similar Moses."[27]
Toby Kebbell, who portrayed Koba in Dawn, had expressed involvement in reprising his role or performing as other characters.[28] Plans to include Koba in a larger function in the flick were abandoned early, with Bomback maxim, "If y'all stayed until the very stop of Dawn of the Planet of the Apes, y'all hear Koba's breathing. Nosotros did that to requite us a tiny crack of a possibility that we could revive Koba if we wanted to. Very early on in spitballing, we realized there was nix more than to do with Koba—certainly nada that would exceed what he had done in the last story. But we knew we wanted to go along him live as an idea. In playing out the reality of what happened at the end of the last flick, Caesar would exist traumatized by having to kill his brother. That would have resonance, and we wanted to make sure that did not get lost. So the answer was that nosotros could become within Caesar's mind at this point and revisit Koba that way."[29]
Casting [edit]
In August 2015, Deadline reported that Gabriel Chavarria had been bandage as one of the humans in the film.[xxx] In September 2015, The Hollywood Reporter appear that Woody Harrelson had been bandage as the motion picture'due south antagonist, and that Chavarria's role was supporting.[12] In October 2015, TheWrap reported that Steve Zahn was cast equally a new ape in the film.[14] It was likewise announced that extra Amiah Miller was cast as one of the film's humans, with Judy Greer and Karin Konoval reprising their roles every bit Cornelia and Maurice,[11] [20] while Aleks Paunovic and Sara Canning were bandage every bit new apes.[19] [eighteen]
Filming [edit]
Master photography on the moving-picture show began on 14 Oct 2015, in the Lower Mainland in Vancouver, nether the working title Hidden Fortress.[31] [32] Filming was expected to take identify there until early March 2016.[33] Parts of the picture show were expected to shoot for upwards to five days in the Kananaskis in late Jan and early on February.[34] In March, Serkis confirmed that he had finished shooting his portions.[35]
Visual effects [edit]
Equally with Rise and Dawn, the visual effects for War were created by Weta Digital; the apes were created with a mixture of motion-capture and CGI key-frame animation, as they were performed in motion-capture technology and blithe in CGI.
Influences [edit]
At New York Comic-Con 2016, Reeves explained that he and Bomback were influenced by many films before writing. He said, "One of the first things that Marking and I did because we had just finished Dawn was that we decided to picket a million movies. We decided to do what people fantasize what Hollywood screenwriters get to practise but no one actually does. We got Fox to requite us a theater and we watched movie subsequently movie. We watched every Planet of the Apes motion picture, state of war movies, westerns, Empire Strikes Dorsum... We just idea, 'We take to pretend we have all the time in the globe,' even though we had express time. We got really inspired."[36] According to Reeves, the treacherous apes being nicknamed "donkeys" is both a reference to the video game grapheme Donkey Kong and the fact that they are used as "pack mules".[37]
Additionally, during production, Reeves and Bomback sought broader inspirations from films like The Span on the River Kwai and The Great Escape. Feeling that there was a need to imbue Biblical themes and elements, they also watched Biblical epics like Ben-Hur and The Ten Commandments. The influences and inspirations were made axiomatic in the relationship betwixt Caesar and Woody Harrelson'due south Colonel, a military machine leader with pretensions toward godhood. Reeves has compared their relationship to the dynamic between Alec Guinness's British Commander and Sessue Hayakawa'south prison house army camp Colonel in Bridge on the River Kwai. Another comparison is in Caesar'due south journey to discover the Colonel, flanked past a posse of close friends—a state of affairs Reeves explicitly tied to Clint Eastwood's war-weary soldier in The Outlaw Josey Wales.[26] Influences from the film Apocalypse Now, notably Harrelson's character and his Alpha-Omega faction being similar to Colonel Kurtz's renegade ground forces, were also noted by several journalists.[38] [39] [40] Harrelson has also best-selling the similarities and inspiration.[41]
Music [edit]
State of war for the Planet of the Apes | ||||
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Soundtrack album by Michael Giacchino | ||||
Released | 7 July 2017 (Digital) 21 July 2017 (Physical) | |||
Recorded | 2017 | |||
Genre | Moving-picture show score | |||
Label | Sony Masterworks | |||
Michael Giacchino moving-picture show scores chronology | ||||
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On 17 Oct 2015, information technology was confirmed that Michael Giacchino, the composer and writer of the soundtrack for Dawn, would return to compose State of war 's score.[42] The soundtrack was digitally released to iTunes and Amazon on 7 July 2017,[43] and in its physical form by Sony Masterworks on 21 July 2017.
Release [edit]
The film was initially set for a 29 July 2016, release. However, in January 2015, Play a joke on postponed the moving picture's release appointment to about a year later on 14 July 2017.[44] [vii]
Marketing [edit]
Special behind-the-scenes footage for the film was aired on Boob tube on 22 November 2015, as function of a contest declaration presented past director Matt Reeves and Andy Serkis.[45] The footage aired during The Walking Dead on AMC.[46] [47] The proclamation allowed winners to article of clothing a performance-capture suit and announced in a scene as an ape.[48] The annunciation was released on 20th Century Fob's official YouTube page afterwards the same day.[49]
At a New York Comic Con special event on half dozen Oct, Reeves, Serkis and producer Dylan Clark debuted an exclusive wait at the film.[50]
Serkis has besides mentioned that the film would be accompanied by a video game, for which he performed motion capture.[51] Titled Planet of the Apes: Final Borderland, the game was released for the PlayStation 4, Xbox One and PC in fall 2017.[52]
Reception [edit]
Box office [edit]
State of war for the Planet of the Apes grossed $146.nine million in the Usa and Canada and $343.8 million in other territories for a worldwide total of $490.seven meg, confronting a production upkeep of $150 million.[4]
In North America, the film was projected to gross $fifty–60 one thousand thousand in its opening weekend;[53] however, given its acclaimed status and stiff word-of-rima oris, rival studios believed the pic had the potential to debut equally loftier every bit $lxx–80 1000000.[iii] [54] [55] War was closely monitored by analysts while the summer was witnessing a turn down in ticket sales, a situation that they blamed on franchise fatigue for an glut of sequels and reboots (such as Pirates of the Caribbean area: Dead Men Tell No Tales, Transformers: The Last Knight and The Mummy). Nevertheless, box role analysts noted that well-reviewed films have tended to perform in-line with estimates (Guardians of the Milky way Vol. ii, Wonder Woman and Spider-Human: Homecoming).[56] [57] [58] The moving-picture show grossed $5 1000000 from Thursday night previews at 3,021 theaters, upwards 22% from the $iv.i million earned by its predecessor, and $22.1 million on its first twenty-four hour period. It went on to debut to $56.three meg, topping the box office, albeit with a 22% drib from Dawn 's $72.six million debut.[59] [sixty] In its second weekend, the moving picture grossed $20.9 million (a drop of 62.nine%, more the 50.1% fall Dawn saw), finishing fourth at the box office.[61] In its third weekend, the film fabricated $10.five million (dropping another 49.9%), finishing 6th at the box function. It was lower than the third weeks of both Rising ($16.one one thousand thousand) and Dawn ($xvi.viii million).[62]
Disquisitional response [edit]
On review aggregator Rotten Tomatoes, the motion-picture show holds a 94% blessing rating based on 363 reviews, with an boilerplate rating of 8.2/ten. The website's critics consensus reads, "War for the Planet of the Apes combines breathtaking special effects and a powerful, poignant narrative to conclude this rebooted trilogy on a powerful—and truly blockbuster—notation."[63] Metacritic, which uses a weighted boilerplate, assigned the film a score of 82 out of 100 based on 50 critics, indicating "universal acclaim".[64] Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.[65]
War for the Planet of the Apes received praise for the cast's performances (especially Serkis'), Reeves' direction, visual effects, musical score, cinematography and its morally complex storyline.[66] Scott Collura of IGN awarded the moving picture a score of 9.five out of 10, saying: "War for the Planet of the Apes is an splendid closing act to this rebooted trilogy, but also ane that does enough earth-building that the series tin potentially go along from here—and it's a rare case where, after three movies, nosotros're left wanting more than."[67] A. O. Scott of The New York Times said of the picture show, "War for the Planet of the Apes, directed by Matt Reeves, is the grimmest episode and then far, and also the strongest, a superb instance—rare in this era of sloppily constructed, commercially hedged cinematic universes—of clear thinking wedded to inventive technique in popular filmmaking," and lauded Andy Serkis's performance in the film, stating that "Andy Serkis's performance every bit Caesar is 1 of the marvels of modern screen interim."[68]
Peter Travers of Rolling Stone gave the film 3.5 out of iv stars, and said that Serkis performed "with a resonant power and depth of feeling that'southward nigh Shakespearean. Oscar, go decorated: Serkis deserves the gold," and went on to say that "War for the Planet of the Apes—No. 9 in the simian cinema canon—is the all-time of the Apes films since the 1968 original."[69] Eric Kohn of IndieWire gave the picture a B+ rating, and praised Matt Reeves's directing, saying "Information technology'due south a given that an expensive 21st-century sci-fi picture show with talking animals, exploding tanks, and jarring machine guns would look and sound great, just Reeves applies these effects with such a measured strategy that they're e'er working in service of a greater narrative agenda." Kohn went on to applaud the visuals and musical score, stating that "The breathlessly paced montage of flying bullets and aroused monkeys raining downward on terrified men, aided by Michael Giacchino'due south vibrant score, is a stiff indicator of the adjacent-level adroitness that distinguishes these movies from then many cacophonous Hollywood spectacles; non only is the activity easy to follow, but you care for the movement-captured characters at the center of it, while the humans cower in fear."[70]
Home media [edit]
War for the Planet of the Apes was released on Digital Hard disk drive on 10 Oct 2017, and on Blu-ray and DVD on 24 October 2017, past 20th Century Trick Dwelling house Entertainment.[71]
Accolades [edit]
List of awards and nominations | ||||||
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Award | Date of anniversary | Category | Recipients | Event | Ref. | |
Gold Trailer Awards | 6 June 2017 | All-time Motion/Championship Graphics | War for the Planet of the Apes: 20th Century Fox, Wild Card | Nominated | [72] | |
Best Summertime 2017 Blockbuster TV Spot | ||||||
Hollywood Moving picture Awards | five Nov 2017 | Hollywood Visual Effects Accolade | Dan Barrett, Dan Lemmon, Joe Letteri, and Erik Winquist | Won | [73] | |
Hollywood Post Alliance | xvi Nov 2017 | Outstanding Visual Effects - Feature Movie | Dan Barrett, Anders Langlands, Dan Lemmon, Joe Letteri, Luke Millar, Erik Winquist, and Weta Digital | Won | [74] [75] | |
Teen Choice Awards | 13 August 2017 | Option Motion-picture show: Summer | 20th Century Fob | Nominated | [76] | |
Washington D.C. Area Motion picture Critics Association | December 8, 2017 | Best Move Capture Performance | Andy Serkis | Won | [77] | |
All-time Motion Capture Performance | Steve Zahn | Nominated | ||||
San Francisco Moving picture Critics Circle | December ten, 2017 | Best Histrion | Andy Serkis | Won | [78] [79] | |
Best Original Score | Michael Giacchino | Nominated | ||||
San Diego Motion picture Critics Gild | December 11, 2017 | Best Visual Effects | War for the Planet of the Apes | Won | [fourscore] | |
Chicago Film Critics Association | 12 December 2017 | Best Original Score | Michael Giacchino | Nominated | [81] | |
Seattle Film Critics Society | 18 December 2017 | All-time Original Score | Michael Giacchino | Nominated | [82] [83] | |
Best Visual Furnishings | Joe Letteri, Dan Lemmon, Dan Barrett, and Joel Whist | Won | ||||
Golden Tomato Awards | iii January 2018 | All-time Sci-Fi/Fantasy Movie 2017 | War for the Planet of the Apes | 2nd Place | [84] | |
Houston Film Critics Club | January 6, 2018 | Best Actor | Andy Serkis | Nominated | [85] [86] | |
Best Original Score | Michael Giacchino | |||||
Best Visual Furnishings | War for the Planet of the Apes | |||||
Critics' Choice Movie Awards | 11 Jan 2018 | Best Action Movie | War for the Planet of the Apes | Nominated | [87] | |
Best Visual Effects | Won | |||||
Georgia Picture show Critics Association | 12 Jan 2018 | Best Histrion | Andy Serkis | Nominated | [88] | |
Best Original Score | Michael Giacchino | Nominated | ||||
Screen Actors Order Awards | 21 January 2018 | Outstanding Functioning by a Stunt Ensemble in a Moving picture | State of war for the Planet of the Apes | Nominated | [89] [xc] | |
Art Directors Society | Jan 27, 2018 | Excellence in Product Design for a Fantasy Film | James Chinlund | Nominated | [91] | |
Annie Awards | iii Feb 2018 | Outstanding Achievement for Grapheme Animation in a Alive Activeness Product | Daniel Barrett, Sidney Kombo-Kintombo, Emile Ghorayeb, Luisma Lavin Peredo, and Alessandro Bonora | Won | [92] | |
Satellite Awards | 10 February 2018 | Best Film Editing | William Hoy | Won | [93] | |
Best Original Score | Michael Giacchino | Nominated | ||||
Best Audio | War for the Planet of the Apes | Nominated | ||||
All-time Visual Furnishings | Nominated | |||||
Visual Furnishings Society Awards | thirteen Feb 2018 | Outstanding Visual Effects in a Photoreal Feature | Joe Letteri, Ryan Stafford, Daniel Barrett, Dan Lemmon, Joel Whist | Won | [94] | |
Outstanding Animated Grapheme in a Photoreal Feature | Eteuati Tema, Aidan Martin, Florian Fernandez, Mathias Larserud for "Bad Ape" | Nominated | ||||
Dennis Yoo, Ludovic Chailloleau, Douglas McHale, Tim Forbes for "Caesar" | Won | |||||
Outstanding Created Environment in a Photoreal Feature | Chris McLaughlin, Ryan Salcombe, Seungjin Woo, Francesco Dell'Anna for "Hidden Fortress" | Nominated | ||||
Phillip Leonhardt, Paul Harris, Jeremy Fort, Thomas Lo for "Prison Camp" | Nominated | |||||
Outstanding Effects Simulations in a Photoreal Feature | David Caeiro Cebrian, Johnathan Nixon, Chet Leavai, Gary Boyle | Won | ||||
Outstanding Compositing in a Photoreal Characteristic | Christoph Salzmann, Robin Hollander, Ben Morgan, Ben Warner | Won | ||||
British Academy Moving picture Awards | 18 Feb 2018 | Best Special Visual Effects | Daniel Barrett, Dan Lemmon, Joe Letteri, and Joel Whist | Nominated | [eight] | |
Aureate Reel Awards | 18 February 2018 | Outstanding Achievement in Audio Editing – Dialogue / ADR | Supervising Sound Editors: Douglas Murray, Will Files; Supervising Dialogue Editor: R.J. Kizer; Vocal Editors: Kim Foscato, P.K. Hooker, Doug Jackson, Lindsay Alvarez; ADR Editors: Laura Graham, and Jim Brookshire | Won | [95] | |
Outstanding Accomplishment in Sound Editing – Effects / Foley | Supervising Audio Editors: Douglas Murray, Will Files; Sound Effects Editors: David Grimaldi, Jack Whittaker, Ken McGill, P.K. Hooker, Doug Jackson, Lindsay Alvarez; Foley Editors: John Morris, Matthew Harrison, Thom Brennan, Willard Overstreet; Foley Artists: Dan O'Connell, and John T. Cucci | Nominated | [96] | |||
International Film Music Critics Clan Awards | 22 February 2018 | Score of the Year | Michael Giacchino | Nominated | [97] [98] | |
Best Original Score for a Fantasy/Science Fiction/Horror Flick | Michael Giacchino | Won | ||||
Film Music Composition of the Twelvemonth | "Cease Credits" from War for the Planet of the Apes by Michael Giacchino | Won | ||||
Academy Awards | 4 March 2018 | Best Visual Furnishings | Daniel Barrett, Dan Lemmon, Joe Letteri, and Joel Whist | Nominated | [99] | |
Saturn Awards | 27 June 2018 | Best Scientific discipline Fiction Motion picture | Peter Chernin, Dylan Clark, Rick Jaffa and Amanda Silvery | Nominated | [100] | |
Best Manager | Matt Reeves | |||||
All-time Role player | Andy Serkis | |||||
Best Special Furnishings | Joe Letteri, Dan Lemmon, Daniel Barrett and Joel Whist |
Sequel [edit]
Co-ordinate to screenwriter Rick Jaffa, a version of the spaceship from the 1968 Planet of the Apes under the name Icarus was in Rise of the Planet of the Apes as a deliberate hint to a possible sequel re-adapting the events of the original motion-picture show, something the terminate of War too implies, featuring a younger version of the graphic symbol Nova.[101] During an interview of Andy Serkis with MTV in mid-November 2014, Serkis talked nigh possible sequels: "It might be three films, It could be four. It could exist five. Who knows? The journey will keep."[102] By October 2016, it was reported that a fourth Planet of the Apes film was beingness discussed.[103] [104] Presently before the release of War in July 2017, Reeves said that he expressed interest in making more Apes films and that Steve Zahn, who played Bad Ape in the film, had fix a story for further sequels.[105] [106] [107] Writer Marking Bomback hinted that more films would exist possible, saying, "Truthfully, we haven't had those kinds of conversations. I've been working on these films for nigh 7 years now. I'yard gear up to take a breather and let things rest a bit."[108] In Apr 2019, following the acquisition of 21st Century Fox by Disney, Disney announced that future Planet of the Apes films are in development.[109] [110] [111] [112] [113] [114] Information technology was also confirmed in Baronial 2019 that any time to come installments would take place in the same universe first established in Rise. [115]
On 3 December 2019, it was reported that Wes Ball is currently set to write and directly an untitled Planet of the Apes movie.[116] On 17 Feb 2020, it was reported that the film will be produced by Joe Hartwick Jr. and David Starke. Later that same twenty-four hours, Ball confirmed that he would exist directing the movie, and that it would be prepare after the events of War, following "Caesar's legacy".[117] [118] On 26 May 2020, Ball revealed that Josh Friedman will write the screenplay, while Jaffa and Silvery volition return every bit producers. He also said that, while the moving-picture show will be ready in the same universe equally Rise, the film won't be a direct sequel to State of war, saying that the movie "will feel" like a follow-up to the overall Rise trilogy, just at the same fourth dimension, the filmmakers will "practise some actually cool new stuff" for the film. Ball also said that the movie could begin virtual production soon in spite of the COVID-19 pandemic due to information technology beingness a generally CGI motion picture.[119]
In a March 2022 interview with The Hollywood Reporter, 20th Century Studios president Steve Asbell stated that production would start between the late summer or early fall of 2022.[120]
Notes [edit]
- ^ As depicted in Dawn of the Planet of the Apes (2014).[x]
References [edit]
- ^ Margaret Sutherlin (July 11, 2017). "'War for the Planet of the Apes' Bandage on Trump Parallels: 'Information technology's Unbelievable'". Multifariousness.
- ^ "War OF THE PLANET OF THE APES (12A)". 20th Century Play tricks. British Board of Film Classification. Retrieved June 26, 2017.
- ^ a b Anthony D'Alessandro (July four, 2017). "Can 'State of war For The Planet Of The Apes' Conquer The Summer Franchise Dejection? – Advance B.O. Forecast". Borderline Hollywood.
- ^ a b "War for the Planet of the Apes". Box Office Mojo. IMDb. Retrieved February 19, 2021.
- ^ "War for the Planet of the Apes". Fox Movies . Retrieved February 24, 2021.
- ^ "Could There Be Another 'Planet of the Apes' Movie?". geeks.media . Retrieved June 28, 2019.
- ^ a b "Official website". 20th Century Fox. Retrieved April two, 2017.
- ^ a b "BAFTA Awards: 'Shape of Water,' '3 Billboards,' 'Darkest Hour' Lead Pack of Nominations". The Hollywood Reporter. January 8, 2018.
- ^ Merry, Stephanie (Jan 23, 2018). "Analysis – Oscar nominations 2018: 'The Shape of Water' leads with 13; 'Get Out' nominated for all-time moving-picture show". Retrieved Jan 24, 2018 – via WashingtonPost.com.
- ^ Morrow, Brendan (July 13, 2017). "'War for the Planet of the Apes': What Year Does the Original Take Place?". Heavy . Retrieved June 24, 2018.
- ^ a b c d Kit, Borys (October 20, 2015). "Judy Greer Returning to 'Planet of the Apes' (Sectional)". The Hollywood Reporter . Retrieved Oct 21, 2015.
- ^ a b Kit, Borys (September 15, 2015). "Woody Harrelson to Play Villain in New 'Planet of the Apes' Movie (Exclusive)". The Hollywood Reporter . Retrieved September 21, 2015.
- ^ Brandon Davis (June 19, 2017). "Woody Harrelson Was Once In Talks For A Curiosity Or DC Picture". ComicBook . Retrieved July 13, 2017.
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External links [edit]
Source: https://en.wikipedia.org/wiki/War_for_the_Planet_of_the_Apes
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